Sunday, August 29, 2010
Monday, August 9, 2010
Appearances can be deceiving. What is usually meant by this saying concerns the perception of something or someone by someone else. But the deception I'm referring to has to do with an individual in relation to him/herself.
The process of artistic creation starts deep within the artist's inner world. But soon after the psyche is impregnated by the creative seed (a seed that can be all-encompassing and atmospheric, resembling sometimes a state of madness), imagination must be confronted with reality. And often, in an instant, reality prevents imagination from pouring into the physical world. Only a few strands of the imaginary make it, just like insemination.
The appearance that is formed by the creative impulse meets reality by way of materialization. Sound is a difficult raw material, for it has no physical weight. In this respect, sound may give the impression of being closely bound to the imaginary, of never leaving it, for it doesn't seem to materialize completely. So what do composers tend to do? Organize sound grammatically, as a form of language. The result, the final appearance, then sounds like someone trying to describe something. Description is a symbolic way of understanding and getting a sense of something (an object or a phenomenon), but it's not the thing itself. Of course, no physical reality can be the thing imagined itself, but it can recreate it. The difference between recreating and describing is a central issue in art. In music composition, description is closer to musicology, and thus a deception. To recreate details of the inner world is closer to art.
Thus we have: Appearance (inner world) - Reality (sound) - Appearance (recreation).